Scales & Modes

Sound

F♯ Minor Pentatonic

Neck Diagram

The rock and blues scale. Natural minor without the second and sixth.

How it sounds, and where to use it

Often described as the rock and blues soloing sound.

How usual it sounds: as tight as it gets: the notes sit side by side on the circle of fifths, which is why it sounds so familiar. (No gaps round the circle of fifths. See its shape.)

Solo with it over:F♯mF♯m7F♯sus4F♯7sus4

Chords on F♯ made only from this scale's notes, so every note of the scale sits safely over them.

Open it in Note shapes

Formula: W+H-W-W-W+H-W · Arpeggios in F♯ Minor Pentatonic

Relative major pentatonic: A Major Pentatonic (same notes, from the ♭3) · Parallel major pentatonic: F♯ Major Pentatonic (same root, three notes raised)

Step12345
NoteF♯ABC♯E
Degree1♭345♭7
IntervalP1m3P4P5m7

Degree and Interval are the same thing written two ways: how far each note is from the root (♭3 and m3 here). See them all on the Intervals page → Click either one in the table to open that interval.

Modes

Order

Two octaves across; each mode starts one scale degree later and is numbered from its own root. ▶ plays a mode.

Minor Pentatonic
1
♭3
4
5
♭7
1
♭3
4
5
♭7
I
Minor Pentatonic
1
♭3
4
5
♭7
8
II
Major Pentatonic
1
2
3
5
6
8
III
Suspended Pentatonic
1
2
4
5
♭7
8
IV
Epathitonic
1
♭3
4
♭6
♭7
8
V
Blues Major Pentatonic
1
2
4
5
6
8

For more on modes, check out

Derryl Gabel's Modal Fluency course

Derryl Gabel's Modal Fluency course

In this epic two hour course I'll teach you a new way to learn the modes, intervals, and arpeggios of the major scale. Next we will apply a three position fingering approach that will totally unlock the fingerboard like you've never seen before. We'll also look at other fingerings such as three notes per string and even a three plus four approach (think Holdsworth) all while keeping intervals in mind which will help you play the best notes.

Check it out ↗Save $10 with promo code erasmus10

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