Scales & Modes
C Bebop Dominant
Neck DiagramMixolydian with an added major seventh passing tone.
How it sounds, and where to use it
Often described as swinging jazz lines: the extra note keeps chord tones on the beat.
How usual it sounds: as tight as it gets: the notes sit side by side on the circle of fifths, which is why it sounds so familiar. (No gaps round the circle of fifths. See its shape.)
Solo with it over:CC7Cmaj7Csus4Csus2C6C9Cmaj9
Chords on C made only from this scale's notes, so every note of the scale sits safely over them.
Formula: W-W-H-W-W-H-H-H · Arpeggios in C Bebop Dominant
| Step | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 |
|---|---|---|---|---|---|---|---|---|
| Note | C | D | E | F | G | A | B♭ | B |
| Degree | 1 | 2 | 3 | 4 | 5 | 6 | ♭7 | 7 |
| Interval | P1 | M2 | M3 | P4 | P5 | M6 | m7 | M7 |
Degree and Interval are the same thing written two ways: how far each note is from the root (♭7 and m7 here). See them all on the Intervals page → Click either one in the table to open that interval.
Modes
Two octaves across; each mode starts one scale degree later and is numbered from its own root. ▶ plays a mode.
The same notes, started from each degree: the degrees against major, the steps between them, and the notes.
| # | Degrees and steps | Notes | Name(s) | |
|---|---|---|---|---|
| I | 123456♭778WWHWWHHH | C D E F G A B♭ B C | Bebop Dominant | |
| II | 12♭345♭66♭78WHWWHHHW | D E F G A A♯ B C D | Bebop Minor | |
| III | 1♭2♭34♯45♭6♭78HWWHHHWW | E F G A B♭ B C D E | Bebop Locrian add 5 | |
| IV | 1234♯45678WWHHHWWH | F G A B♭ C♭ C D E F | Mode 4 | |
| V | 12♭33456♭78WHHHWWHW | G A B♭ B C D E F G | Mode 5 | |
| VI | 1♭22♭345♭6♭78HHHWWHWW | A B♭ B C D E F G A | Mode 6 | |
| VII | 1♭223♯45678HHWWHWWH | B♭ C♭ C D E F G A B♭ | Mode 7 | |
| VIII | 1♭2♭34♭5♭6♭778HWWHWWHH | B C D E F G A A♯ B | Mode 8 |
Nobody has found a C Bebop Dominant track yet. The root drone on the Every 7-note scale page works for any scale meanwhile.
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For more on modes, check out

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